Bailey James leans into the slow-burn truth of country single “Good On Paper” with a drawl that drips sweet, but never soft. The single is out now on all digital streaming platforms.

The song lays out a romance that looks flawless at first glance, only to unravel with a closer look. “He drives up, you climb inside his Shelby 65 / Oh me oh my, bet the view from his condo’s high” paints the illusion. But the chorus is where the reality hits hard: “He ain’t gonna stick around long enough to be something / By the way he’s coming on you think that it was love / But he’s playing you like a wildcard / Better hide your queen of hearts / Can’t see that see-you-later ’cause he looks so good on paper / Don’t he.” James handles it with cool clarity — no vocal theatrics, just unbothered precision and country storytelling

The second verse flips the script without shifting the impeccable tone. “She flaunts that southern drawl, her hair is soft and long / She looks just like a queen stepping out of a magazine” mirrors the polished setup of verse one, but the hook is equally loaded: “She ain’t gonna stick around long enough to be something / By the way she’s coming on you think that it was love / But she’s playing you like a wildcard / Better hide your king of hearts / Can’t see that see-you-later ’cause she looks so good on paper / Don’t she.” The lyric is direct and grounded, built on sharp repetition and clean phrasing that lands without needing to shout.

Written by Grammy winner Karen Fairchild of Little Big Town, Sarah Buxton (who has penned hits for Keith Urban, Florida Georgia Line, and Trisha Yearwood), and Tofer Brown (producer and co-writer for Jon Pardi, Old Dominion, Lady A, Megan Moroney, and more), “Good On Paper” brings together some of country’s finest songwriting talent. But it’s Bailey James who truly makes the song her own — her phrasing lingers with a sweet yet poignant drawl, delivering the lived-in lyrics with clarity and conviction. “Good On Paper” doesn’t just look good — it’s built to hold up.

Bailey James is already making serious noise as one of the most exciting emerging voices in country music. With over 275,000 followers across her social media platforms, multiple hit singles, and a Top 40 Music Row single, she’s quickly become a rising force in Nashville. Her music has earned praise from CMT, PEOPLE, Whiskey Riff, Rolling Stone, and Hollywood Life, and her voice, both in song and advocacy, is turning heads for all the right reasons.

At just 21 years old, James’ career spans nearly a decade. She released her first single at the age of 12 and has since built a body of work rich in authenticity, emotion, and strength. She’s tackled tough topics like grief, self-worth, and mental health with powerful candor, becoming a beacon for young fans navigating similar challenges. Her breakout single “Finally Free” landed at #42 on the Billboard charts and was named the Opry Circle Release of the Week, marking a turning point in her artistry. That same year, she launched The Finally Free Movement, a mental health and suicide prevention initiative created in honor of her late brother Zane.

A standout performer, Bailey has graced the stages of iconic venues including the Bluebird Café, 3rd and Lindsley, The Listening Room, and more. She’s also become a regular act at the beloved Whiskey Jam series and a featured performer on WSM, home of the Grand Ole Opry radio station.

James is a proud member of the all-female Song Suffragettes collective and the winner of the John Lennon Songwriting Contest for her single and video “Better Angels.” As the first-ever National Youth Advocate for The Jason Foundation, she continues to use her platform to raise awareness around suicide prevention — a deeply personal mission.

Her latest release, “Good On Paper,” is further proof that Bailey James is an artist with something to say — and a voice that cuts through the noise. Whether she’s singing about heartbreak or healing, James brings a rare kind of emotional gravity to everything she touches. One of the hardest-working young artists in the industry, she’s not just chasing the spotlight — she’s building a legacy.