Montreal-based artist, producer, and filmmaker SUUNCAAT returns with “Signs”, an experimental pop odyssey that blurs the boundaries between ritual, tragedy, and electronic ecstasy. Known for fusing hyperpop’s emotional chaos with classical precision and cinematic storytelling, SUUNCAAT continues to redefine what pop can feel like.

Built from earworm melodies, haunted synths, and eruptive drum & bass breaks, “Signs” unfolds less as a song and more as a ritual in sound. It slips effortlessly between candid pop, ecstatic EDM swells, and dramatic collapses—its sonic world both intimate and transcendent.

At its core, “Signs” revisits the myth of the “golden violin child,” a recurring figure in SUUNCAAT’s work. The track reflects on the trauma of early giftedness, the curse of purity, and how adoration can transform into persecution.

“As a very young child, I was targeted for being some kind of musical prodigy, and was forced to play violin too young at an unhealthy level, which gave me postural injuries and essentially broke my body,” SUUNCAAT shares. “I now carry those injuries like a kind of stigmata — the ‘sign.’ The violin enters in the second part of the song as both a weapon and a wound.”

Lyrically, “Signs” explores the seductive and dangerous allure of being deified, “Night time mirror eyes go everywhere / gold child you’re the sign we’ve been waiting / don’t you realize you’re god, you decide.”

It’s also SUUNCAAT’s first fully self-mixed track, marking a new chapter in her sonic independence and emotional intensity.

The “Signs” music video, co-directed by SUUNCAAT and long-time collaborator Alexia “Rebie” Lecours-Cormier, expands the song’s mythology into a haunting visual dialogue. Rebie embodies SUUNCAAT’s shadow — a spectral reflection inspired by Hexadecimal from ReBoot — part demon, part mimic.

Set across gloomy forests, mountain peaks, and surreal open fields, the video draws from Jodorowsky’s mysticism, early-internet surrealism, and baroque performance art. The result is a hypnotic interplay of duality, faith, and artistic exorcism.